Overcorrected the prior fix into "todo es sema / eidos solo hace visible", which
flattened eidos and skipped morfo + soma. Reframed to the real layer chain, each with
a role: morfo declares the event (family · intent) -> soma triggers (writes data-state,
calls sema.emit) -> sema emits (executes sound + haptic; projects the visual channel as
data-event-* tokens) -> eidos materializes (reads data-state + data-event-* and renders
via its OWN token engines: color · motion · depth · shape · space). Sema = the QUE
(semantic), eidos = the COMO (visual vocabulary) — co-layers, eidos the sole visual
owner, not a shim.
Applied to CHANNELS_SYNTHESIS §3 + the /temas/orquesta footnote + top comment.
Verified: check 0 errors.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Refine the doctrine per review: the two moments are the producer/consumer split —
the SEMA moment (it emits: evaluates the occurrence and stamps data-event-* tokens;
sound + haptic it executes there; no DOM/CSS) and the EIDOS moment (it reads those
tokens + data-state and materializes the visual channel in CSS). The token is the
contract — sema writes, eidos reads — which is why sema is DOM-agnostic and eidos is
the sole visual owner. The temporal axis (state persistent / event transient) runs on
top: which token, read by eidos as presets / signatures.
Applied to CHANNELS_SYNTHESIS §1 + the /temas/orquesta "two moments" section.
Verified: check 0 errors.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
Two fixes:
- Sound + haptic now fire from the REAL EngineSemantic.emit (channels filtered by the
mixer; `visual` excluded so no data-event-* conflict with the toggleable facets) —
replacing the Web Audio / Vibration approximation. One real emit, the chosen channels.
- Correct the architecture framing (was conflating LAYER with CHANNEL): the channels are
SEMANTIC (sema). Sema projects the `visual` channel (-> eidos materializes color ·
motion · depth · forma) and executes sound + haptic. motion/depth/shape/color are NOT
"eidos channels" — they are sema visual channel, made visible by eidos. Mixer now groups
"canal visual · sema -> eidos" vs "canales runtime · sema"; dropped the misleading
per-track eidos/sema tag. CHANNELS_SYNTHESIS reframed: 8 book expression channels -> 3
sema runtime channels (visual / sound / haptic).
Verified: check 0 errors; browser — two mixer groups render, real engine.emit fires
without error, visual facets compose.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
The book thesis, playable: ONE press fires the firma across channels, with a mixer to
mute each and watch them layer. The 4 visible channels (color · motion · depth · shape)
compose from one event with REAL eidos tokens — verified: press -> primary->affirm-solid
+ scale(0.93) + shadow overlay->raised + --shape-smoothing 2->3.4. Sound + haptic via
Web Audio / Vibration (in-app the sema engine emits them from the same event). + the
two-moment model section.
CHANNELS_SYNTHESIS.md ties the five channel RFCs: two moments x N channels from one
event, the layer ownership (sema runs sound/haptic + projects data-event-*; eidos
materializes the visual channels), the cross-modal firma, the runtime-builder quintet.
Verified: check 0 errors. Browser: all four visible channels compose on press.
Co-Authored-By: Claude Opus 4.8 (1M context) <noreply@anthropic.com>
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